Ephemera

Made au CanadaShort

Gilbert Mhanna is a queer Lebanese artist based in Toronto. His art is baladi, a dance traditionally reserved for cis women. Together, we'll explore the relationship of his Araboqueer body to this Canadian space. How does this country continue to flow through their veins?

Made au CanadaShort

A journey into Aly’s world and his personal growth through the eyes of his new furry, Eden. Aly opens up about his next character, Lusia, who will resemble him in every way.

Made au CanadaShort

A male teenager planning to come out to his father imagines different outcomes while portraying them in different cinematographic genres in his mind.

Made au CanadaCompetitionShort

Between loads of laundry at the corner laundromat, Cooper shares the tumultuous story of her gender reassignment journey.

Made au CanadaShort

I asked various AI to create images and narratives of black wonder womxn fighting in Florida. These are their responses: White supremacism, sexism, homotransphobia are spreading across the web. Let’s play with it and get back some power.

Made au CanadaShort

One day this kid will feel something stir in his heart and throat and mouth. One day this kid will reach a point where he senses a division that isn’t mathematical. One day this kid will talk.

Made au CanadaShort

A gay millennial reels after breaking-up with a popular influencer.

CompetitionShort

This morning, Marina has an appointment with Charlie to sell her a mattress. This evening, she will cancel her plane for Reunion. But they don't know that yet.

Made au CanadaShort

After the 100th 'The Thursday Testo,' (TTT), the tri-languistical references such as the Roman and Korean (Hangeul) alphabets and the Japanese syllabic (Katana) alphabet of the word TRANS on a comedy sketch by Kě.

Made au CanadaShort

After deciding to do a Muay Thai competition, a timid, mid-20s Filipino-Canadian woman must train in secret and go against her strict parents, while also falling in love with her coach, who is also a woman.

Made au CanadaCompetitionFeature

In the vein of the Tony award-winning musical Stereophonic, this must-see drama is a Behind the Music-style glimpse of a 2000s Toronto indie band with Fleetwood Mac-like flare ups. With a trans frontman and queer members, The New Normals break boundaries while breaking one another’s hearts. Building off the source material, the novel Heidegger Stairwell by Kayt Burgess, Karen Knox maintains balletic control of multiple perspectives and aesthetics, following how each of the five core members handles firsts: first music video, first phone sex job, first love triangle. Music saves this close-knit crew from quarrels when it’s not causing them, but it’s the in-fighting, the “threads of connection and tension” that keep their audience hungering for more. Will the trans frontman (Lane Webber) stay with his queer girlfriend and songwriting partner (June Laporte) or find a different tune with Lugh (Daniel Gravelle)? Will the band survive or live on only in tribute? These concerns converge in a film charged with envy, creative friendship, and reckless love, and chock-full of pedigreed talent, including co-writing credits from award-winning Canadian writer, Zoe Whittall and festival alumni, Pat Mills as well as original songs from Stars’ Torquil Campbell.

Made au CanadaShort

One day this kid will feel something stir in his heart and throat and mouth. One day this kid will reach a point where he senses a division that isn’t mathematical. One day this kid will talk.

CompetitionFeatureVIRTUAL EXCLUSIVE

Determined to breathe new life into the queer stock character of the sex worker, budding writer Max (masquerading as Sebastian) becomes a “digital hustler” while bathing in the words of Bret Easton Ellis. What starts out as novel fodder becomes a high-stakes balancing act between liberation and exploitation. Close-lipped and leery of scrutiny, even the publicness of social media, “wholesome boy next door” Max (Ruaridh Mollica) is able to act out his “desire to taste everything” in London bedrooms. First with older men, including the kind and curious Nicholas (Jonathan Hyde), then with more daring configurations. But when shame unexpectedly creeps into his initial, unfettered view of the sex trade, Max finds everything from his book proposal to his very sense of self tested. Before he lets his obsession with how he’s perceived subsume him, he must decide what kind of writer he will be, what kind of lover, what kind of man. His finger on the cultural pulse, Indiewire’s LGBTQ+ Filmmaker on the Rise Mikko Mäkelä (A Moment in the Reeds, I+N31, 2018) pits the coldness of market forces against the beating of a warming heart to see which—in the 21st century—will endure.

Made au CanadaDocumentary

Whether wowing 1960s nightclub audiences with her vocal prowess or vanishing from the scene in a haze of rumours, Jackie Shane never failed to leave her mark. Through recorded conversations with the boundary-bursting yet reclusive icon, and the magic of ghostly, gorgeous rotoscope animation, Jackie is restored to us. Encouraged to leave Jim Crow-era Nashville by Joe Tex so that her talent could soar, Jackie Shane brought her R&B sound and daring charisma to adoring fans everywhere from mafia-controlled Montreal to her beloved Toronto, getting kidnapped and turning down a transphobic Ed Sullivan Show offer along the way. Close friends with Little Richard and an opener for the likes of Etta James and Marvin Gaye, Jackie Shane was an It girl in a time when using “she/her” seemed unthinkable. So she had a choice: global superstardom or her own hard-earned authenticity. This is the story of that choice, told through Jackie’s own words, vibrant reenactments, and assessments by contemporary trans figures, with music as the film’s soul. Executive produced by Elliot Page, Any Other Way is a triumph of the documentary form—as polished and impressive as Jackie herself.

CompetitionDocumentaryVIRTUAL EXCLUSIVE

Outspoken Micheline (81) and sensitive artist Yves (68) have “insatiable” longings for sexual and relational intimacy. Francis (70) is a proudly “loudmouth(ed)” activist who wants to ensure that yearnings become reality. All, under the banner of Grey Pride, have no less an ambition than to change the world. Able to detect, as a minority, things that are unjust to all, queer seniors in France are revealing universal truths about the cult of youth and the medicalization of old age. These Grey Priders are combatting indifference, overhauling the nursing home model, and rethinking how spaces for the elderly accommodate libidos. Micheline, Yves, and Francis may have had their sex lives stifled by repression, loneliness, or AIDS, but they are far from ready to enter “The Zone” of societal relegation. They are prepared to take on embedded prejudices, as well as partners and friends with divergent views on death, in their revolutionary intentions. With stirring poeticism—seasons redolent of adaptation; trees symbolizing how bodies bend or break; desire represented by a glowing red sex toy—filmmaker Alexis Taillant shows us what it means to live “a quiet, wild life.”

CompetitionFeatureVIRTUAL EXCLUSIVE

DUTCH • ENGLISH ST | Capturing the recklessness of youth and the excitement of newfound sexual liberties in sensuous black-and-white cinematography, Dennis Alink’s Out offers up a vivid and tender tale of being young and gay. Tom (Bas Keizer, in a star-making performance) and Ajani (an effervescent Jefferson Yaw Frempong-Manson) are closeted secondary school sweethearts who yearn for life outside of their small-minded, rural community in the Netherlands. Their solution is Amsterdam, where the queer scene is thriving and they can work at their dreams of becoming filmmakers. Quickly falling into the Dutch capital’s gay nightlife offers the pair some initial thrills: cheeky games of Never Have I Ever, limo rides across the city, eye-opening trips to the bathhouse. But the challenges quickly follow, pushing them to separately question: “Who am I, and where do I fit in?” Recalling such classic monochromatic films about wayward youth as The Last Picture Show and Gus Van Sant’s Mala Noche, Alink and his queer collaborators present a lived-in, piercing portrait that proves coming out isn’t just a pronouncement of one’s sexuality, it’s a simultaneously joyous and heartbreaking journey of self-discovery.

CompetitionShort

Jaya and Fatima, two women in love, are separated because of Jaya's marriage arranged by her conservative father. Helpless, Jaya is about to give up, when life suddenly brings her to a strange crossroad.