Dairy Boy

Made au CanadaCompetitionShort

A traditional Maritime image: three generations of P.E.I. women wash dishes after holiday dinners. Their after-dinner conversations become revealing when one of their own begins his transition.

Made au CanadaShort

Infamous outlaws The Lily and The Scorpion are on the run after a bank job gone wrong, but as day turns into night, the partners’ trust in each other begins to fray.

Made au CanadaShort

A young woman and her friend are led to a metamorphic realization when they ponder the nature of dreams.

Made au CanadaShort

After deciding to do a Muay Thai competition, a timid, mid-20s Filipino-Canadian woman must train in secret and go against her strict parents, while also falling in love with her coach, who is also a woman.

Made au CanadaShort

A woman turning 30 impulsively gives herself a dramatic haircut moments before hosting her birthday dinner, and it’s fine—it’s totally fine! Bangs is a paranoia-fueled comedy about one woman’s need for recognition and what happens when that recognition never comes.

Made au CanadaFeatureVIRTUAL EXCLUSIVE

Six longtime friends—and one enticing “nymph”—trek to Nova Scotia’s scenic eastern shore to attend a Good Riddance party in celebration of Darcy’s divorce. There, amongst long pours of wine, tangled histories collide in uproarious ways in this wistful dark comedy. Darcy (Lesley Smith) is finally free of matrimony. But that puts her in the sights of jittery heartthrob Dax (Hilary Adams), who has a habit of using sex and her music career as a balm. Her other friends are there for guidance, but they too have some major distractions: “boozebag” Lucy (Jessica Marie Brown) is reeling from a breakup, Lauren (Nicole Steeves) is insecure about the wandering eye of Phoebe (Faly Mevamanana), and the two Julies (Stephanie Clarke, Kat McCormack) are glowingly pregnant but stagnant in the boudoir. Perennial lake activities—hiking, swimming, taking too much Molly—bring them together, while the weight of shared baggage threatens to sink their proverbial canoe. Writer-director Tara Thorne infuses Lakeview with the bite of her audacious revenge thriller Compulsus (I+N35, 2022), adding rat-a-tat-tat humour as she ping-pongs deftly between one crisis to another, charting the zippy chemistry and pliancy of true friendship.

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Inspired by true events, in 1970 an unorthodox mother sends her offbeat son from New Brunswick on a wintry cross-country mission past Quebec to retrieve his brother from Toronto after a public sex violation. Antics ensue in the Two-Solitudes atmosphere, bursting with revealing humour about brotherly love and French-English relations. In bravura performances, Alan Cumming plays motormouth Perley—dressed in an ushanka and ascot, taxidermied dog tucked under his arm—and Charlie Creed-Miles is Weldon—a gruff stoic in crooked glasses. These oddball siblings travel through frozen nights and across the language divide as they bicker, break down, and ultimately bond in their journey through central and eastern Canada. Weldon forced to confront the reality of Perley’s homosexuality (and his abject fear of being required to speak French) as he processes a horrific event from their past. After a lifetime of shutting down, a new set of dire circumstances has them opening their ears to hear one another’s stories. Award-winning filmmaker Michael Clowater, a master of wringing humour from pain, never loses sight of Perley and Weldon’s essential humanity among the pratfalls and bigotries, embedding beautiful truths in the film’s engrossing frictions.

Made au CanadaCompetitionShort

Between loads of laundry at the corner laundromat, Cooper shares the tumultuous story of her gender reassignment journey.

Made au CanadaShort

A male teenager planning to come out to his father imagines different outcomes while portraying them in different cinematographic genres in his mind.

Made au CanadaShort

When her self-help podcast asks her what she wishes to manifest, our hero realizes her desires are outgrowing her current relationship.

Made au CanadaCompetitionFeatureVIRTUAL EXCLUSIVE

This homage to Bollywood spectacle and intergenerational bonds is a time-hopping, candy-coloured crowd pleaser that induces huge smiles and big laughs while also tackling the resonant themes of enforced gender roles, passive racism, and the seismic shifts of growing up. Azra (a stunning Amrit Kaur) lives in cohabitating sexual bliss with her girlfriend in Toronto in the VHS-popping 90s when she receives news of her father’s death. One voltaic match cut later and she’s on a plane for the funeral in Pakistan with her brother (Ali A. Kazmi), where her mother (Ms. Marvel’s Nimra Bucha) nitpicks and her culture shuts her out of the mourning process. Then another and we’re in 1969 Karachi, swept up in the whirlwind romance of Azra’s rule-breaking mother (also played by Amrit Kaur, underscoring mother-daughter parallels) and dashing father (Hamza Haq) before their tough transition to 1989 Nova Scotia. Each temporal hop peeling back another layer of how Azra’s family dynamic came to be. The Queen of My Dreams is itself a moviegoer’s dream, chock-full of eye-popping visuals, high production value, and fantastic fashion. Revealing how salvation can come in unlikely ways from unlikely sources.

Made au CanadaShort

Infamous outlaws The Lily and The Scorpion are on the run after a bank job gone wrong, but as day turns into night, the partners’ trust in each other begins to fray.

Made au CanadaDocumentaryVIRTUAL EXCLUSIVE

The rediscovery of a neon sign transports us back to when disco was queen and Edmonton’s Flashback club became “the Studio 54 of the Prairies.” Through years of violent raids and the encroachment of AIDS like wildfire, the club and its members nourished an open-hearted, fashion-forward oasis. Created and narrated by Montreal teacher and writer Matthew Hays, Flashback is an insider’s take on how a nightlife “melting pot” defied expectations of “the most Bible Belt-y place in Canada” and rose to international fame. Told he wasn’t gay enough to enter Club 70, Albertan John Reid endeavoured to create his own welcoming space: equal parts state-of-the-art discotheque, record store, and community hub. There, queer youth blossomed and Gretzky and Sarah McLachlan partied. Twirl to the soaring vocals of D’orjay and hip bump with those who were there through clouds of perfume and poppers, while getting a fascinating primer on how the club’s designers calibrated disco music for a custom-built dancefloor. Even when Flashback eventually lost its blissed-out exuberance during the AIDS epidemic, it gave much in return: a relief in a maelstrom and a social conscience for the fights to come.

Made au CanadaShort

After the 100th 'The Thursday Testo,' (TTT), the tri-languistical references such as the Roman and Korean (Hangeul) alphabets and the Japanese syllabic (Katana) alphabet of the word TRANS on a comedy sketch by Kě.

Made au CanadaFeature

Torontonian Z, a transmasculine musical theatre performer, has NYC aspirations. The testosterone he’s on has other plans. Facing unpredictable losses and the foreign feeling of his changing body, Z forges connections that reveal how, sometimes, our favourite places are those we have yet to find. Meeting at now-defunct The Beaver, Z (co-writer/producer Breton Lalama) and Danielle (Khadijah Roberts-Abdullah) are smitten. Danielle supports him as he aims for stardom, but falls short: forced to become a barback bartender at Toronto mainstay Squirly’s after a disappointing audition. There, he’s taken under the wing of his cute, charismatic boss, Santi (Xavier Lopez), who knows a lot more about what he’s going through than Z realizes. Although Z can no longer hit Éponine’s notes in Les Misérables, with the help of his vocal coach (Ali Garrison) and a “dream world” goal, he reaches for a more compatible voice. And as we watch Z retrain, we witness actor Breton Lalama do the same in real time, both coming to terms with who they are becoming. Helmed by non-binary filmmaker J Stevens, this is incisive, richly detailed cinema afforded the flow of a life lived authentically.