Out (FR)

CompetitionShort

One afternoon, three high school students sneak out of their all-girls Catholic boarding school. Sunny, the new girl, has gone for a swim in the river. Sarah is eager to join her, even though Clémence disapproves.

CompetitionFeature

In a fraught exchange between Leipzig and Strasbourg, Fanny and Lena warm to each other while the situation around them heats up. As it gets harder to parse fact from fiction, too much trust and not enough, they look to protest movements to teach them what out-of-control adults cannot. Writer-director Claire Burger’s nuanced drama is bracingly of-the-moment, capturing topical issues with a foreboding sense of longing and imminent disaster, and inspiring fiery performances from her leads, including Nina Hoss as a mother undone. After an initially cold reception from Lena (Josefa Heinsius) when she arrives in Germany, 17-year-old Fanny (Lilith Grasmug) will do anything to ingratiate herself with her prickly pen pal. Chocolate-covered shrooms, sexual experimentation, bonding over Antifa and black bloc protest movements—each attempt at connection becomes more daring than the one before, their “Franco-German friendship” mirroring the heated clashes of our time. When the school exchange is flipped, and Lena is now the fish out of water in France, giving into the attraction sizzling under her animosity will mean coming to terms with a world tearing apart at the seams and the fantasies built up to survive it.

CompetitionFeature

After Nino shows Iva the ropes, the two cable car drivers woo one another in increasingly ingenious ways. Day after day, the young women pass high above a quiet Georgian valley twisted with mist, cherishing each moment of connection. But when sweetness slides into sensuality, where will it send them? A man has died, his coffin carted above the village, and Iva (Mathilde Irrmann) inherits his crooked home and high-flying occupation. At first, villagers treat her with an enigmatic disdain, and she spends her days transporting customers and goods back and forth in disquiet, stealing glances at Nino (Nini Soselia). The flirtation grows as intense as their ongoing chess game, set to the rhythm of the rusted gears and their little kindnesses. Together, they will take on a surly widow (Niara Chichinadze) and lecherous boss (Zuka Papuashvili) as their courtship reaches new heights. Auteur Veit Helmer’s Gondola has the raw intensity of silent cinema and the enchanting whimsy of Amélie. Impelled by its beguiling leads and breathtaking cinematography, the film is a love letter to the countryside and those who live there, and an invitation to let your heart soar.

CompetitionFeature

SPANISH • FRENCH ST | Argentinian filmmaker Matías is an intense perfectionist struggling to shape his autobiographical film as the past wriggles from his grip. Is Alexander—a dashing fabulist from Sweden he met in Italy as a boy—the lost love of his life? Or just a lovely, bittersweet dream? At the United World College of the Adriatic, with its diverse, exuberant student body, young Matías (Santiago Madrussan) finds a freedom he never knew in Argentina. There, he is befriended by Alexander (Oscar Morgan), whose rousing stories and bedroom eyes make the world more magical, and whose family’s vast holiday home becomes a memory palace for all that was left unsaid. In his 40s, Matías (co-writer/director Juan Pablo Di Pace) looks back at this time and, with a festival deadline looming, tries to fathom the sizzling closeness and coded interactions. A key piece of evidence lying dormant for when he least expects it. With its meta intrigues and captivating sweep, Duino is an elegiac masterwork crackling with swoon-worthy chemistry. A film that asks: how far are we willing to go for a proper conclusion, and what, in the end, remains voices in the wind?

Documentary

Tegan Quin (of Tegan and Sara fame) has been the victim of identity theft and an ongoing catfishing scam for over 15 years. While investigating, she shares for the first time how she was ensnared in toxic fan culture that revealed the dark side of fame. As one of the most influential queer indie rock bands of their generation, Tegan and Sara worked hard to cultivate an inclusive and passionate fanbase around the world. Fans were drawn to the duo’s beautifully confessional lyrics and found within the community a safe space be queer during a time when few bands would declare allyship, let alone celebrate their own queer identity. But Tegan and Sara’s world turned upside down when Tegan’s personal files were hacked in 2011 and weaponized by a bad actor in a complex catfish scheme to ensnare members of this community. Told through Tegan’s own voice, the voices of deceived fans, a trove of communications between fake Tegan and their victims, and the visual history of the band’s behind-the-scenes archive, this documentary feature is a thriller, a caper, a whodunnit, and an intimate personal journey rolled into one.

DocumentaryVIRTUAL EXCLUSIVE

Is intimacy coordination censorship? Does it kill the magic? In France, where having an intimacy coordinator is the exception, Paloma Garcia Martens is helping creators to privilege process as much as results. Together, striving for feminist content where “bodies, breath, touch” lead to connection, not exploitation. Scenes of intimacy are a stunt like any other, capable of great danger and lasting harm. But intimacy coordination requires precious hours, and even those on board can feel tested by the process. Edith Chapin’s documentary is a searching portrait of the profession, featuring a wide array of women in the TV/film industry—everyone from the director and actresses of the queer TV show Split in Paris, which features a particularly novel squirt scene, to the intimacy coordinators of Sex Education and Bridgerton in London. These women listen to and debate with one another about what’s being transformed because of their influence and what’s changing far too slowly. Leading the push for an industry with fewer “weird stratagems” and outright lies, and more modesty garments, more consensus. Hoping to shape not only how bodies are filmed, but how we, as a society, see them. Also in this programme : SPLIT/ ÉPISODES 1 + 2 IRIS BREY | FRANCE | 2023 | 37 MIN | FRENCH EST On the set of a film, Anna, a 30-year-old stuntwoman, falls in love with the star she is body double for. Will Ana—who thought she was happy in her relationship—have the courage to come out of her heterosexual shell to confront this overwhelming desire?

Made au CanadaCompetitionShort

Robin is a young woman who lives alone above a gas station in North Bay. Every night she watches truckers fill their tanks up and munch on pepperettes. Robin has a secret. Robin is a porn addict. Robin can’t feel anything anymore.

Made au CanadaCompetitionShort

Between loads of laundry at the corner laundromat, Cooper shares the tumultuous story of her gender reassignment journey.

CompetitionFeatureVIRTUAL EXCLUSIVE

DUTCH • ENGLISH ST | Capturing the recklessness of youth and the excitement of newfound sexual liberties in sensuous black-and-white cinematography, Dennis Alink’s Out offers up a vivid and tender tale of being young and gay. Tom (Bas Keizer, in a star-making performance) and Ajani (an effervescent Jefferson Yaw Frempong-Manson) are closeted secondary school sweethearts who yearn for life outside of their small-minded, rural community in the Netherlands. Their solution is Amsterdam, where the queer scene is thriving and they can work at their dreams of becoming filmmakers. Quickly falling into the Dutch capital’s gay nightlife offers the pair some initial thrills: cheeky games of Never Have I Ever, limo rides across the city, eye-opening trips to the bathhouse. But the challenges quickly follow, pushing them to separately question: “Who am I, and where do I fit in?” Recalling such classic monochromatic films about wayward youth as The Last Picture Show and Gus Van Sant’s Mala Noche, Alink and his queer collaborators present a lived-in, piercing portrait that proves coming out isn’t just a pronouncement of one’s sexuality, it’s a simultaneously joyous and heartbreaking journey of self-discovery.

Made au CanadaCompetitionDocumentary

Spoiler alert: chances are if you were watching television in spring 2016, you witnessed the startling peak of the Bury Your Gays trope. LGBTQ+ females from Buffy’s Tara to The 100’s Lexa have gotten the axe and this wry exposé investigates the dismaying trend and ensuing sea change. Bouncing back and forth from Toronto to culture hubs like L.A. and London, Bulletproof unfolds like the plot of a great mystery. There are the victims: queer female characters. The murderers: harried television writers, showrunners, and producers who, for a myriad of reasons that the doc unpacks, have chosen to kill off fan-favourites. And then there are the detectives: a “rainbow network” of journalists, media psychologists, fan community leaders, and many more who dissect the catalysts and impacts of shifting queer depictions. Not to mention the documentarian themself, “gay as hell” TV junkie Regan Latimer on year six of what was supposed to be a one year project, uncovering personal, societal, and scientific revelations alongside their wise-cracking on-screen surrogate, Lindy Zucker. Through clever references and animation, Bulletproof proves that representation has life-or-death stakes and fantasy can be as essential as reality.